Substance Painter与Maya纹理贴图制作PBR工作流程视频教程 Substance Painter & Maya – Low Poly Character Making by Nexttut Education

本教程是关于Substance Painter与Maya纹理贴图制作PBR工作流程视频教程 Substance Painter & Maya – Low Poly Character Making by Nexttut Education，时长：12小时48分，大小：11.1 GB，MP4高清视频格式，教程使用软件：Substance Painter，Maya，作者：Nexttut Education，共58个章节，语言：英语。

大家好，你是否在寻找一个能充分解释重新拓扑和纹理过程的课程？
在课程的开始，我将通过涵盖几个练习和工具来教你网状结构的基础知识。然后，我们将开始学习Maya提供的所有不同的管线，用于重构和UVs。之后，我们将在substance painter中烘培我们的纹理贴图，并使用PBR工作流程对我们的角色进行完全纹理化。最后，我们将把所有的东西拿回来，制作我们的最终渲染图。

Substance Painter是目前最优秀的次世代游戏贴图绘制软件，该软件提供了构建3D素材所需的所有工具，包括粒子笔刷，可以模拟自然粒子下落，粒子的轨迹形成纹理。当然还包括了Material Painting材质绘制，可以一次绘出所有的材质，同时几秒内便可加入精巧的细节。同时软件支持Linux，8K导出，色彩管理，UDIM管理和脚本API，使Substance Painter与VFX工作流程相结合比以往更容易。Substance Painter拥有一个独特而全面的工具和内容生态系统，围绕3个主要软件组件展开，包括3D绘画软件，可以用画笔，面具和粒子的纹理，呈现并轻松导出到游戏引擎。材料制作软件：用户可以使用非破坏性的，基于节点的，程序化和可编写脚本的工作流程来编写纹理和材质。图像材料生成工具：能够帮助设计人员提取花木PBR纹理并生成法线贴图。

Substance Painter & Maya – Low Poly Character Making by Nexttut Education

Hi Guys, Are you looking for a class that fully explains the retopology and texturing process?

Would you like to prepare your Zbrush characters and sculptures for a production?

If that is the case then I welcome you to “Substance Painter & Maya: Low Poly Character Making”.

Instructor: My name is Abraham Leal, I am 3D Artist and producer and I have 10 years of experience in the industry. Currently I lead my own studio Critical Hit were we design and produce projects for the entertainment Industry.

Why you should join: At the end of this class, your will be able convert your high poly character into a game ready character.

In this class, you will be learning:

Retopology Tools
Retopology principles
UVs
Basic Texturing
Shading
Lights and Render settings
Post Production I will start the class by teaching you the basics of Retopology by covering several exercises and tools. We will then jump into learning about all the different pipelines that Maya has to offer for retopology and UVs. After that we will bake our texture maps in substance painter and fully texture our character using a PBR workflow. Finally we will take everything back to produce our final renders.
I have designed this class for students who want to continue learning the production pipeline used in the industry. A good grasp of Maya is expected however we will go over all the tools in detail so that you can follow along. We will be using Maya, Zbrush, Substance Painter and Photoshop, so make sure to have the latest updates.